Creators of the melody of this dance are the Shaki composers. Avari dance is very popular in Azerbaijan. They have a characteristic pattern, due to their rhythmic construction. Such mass ritual dances, which were popular among the people even before the recent past, as year-year, spit-spit, khidyr Ilyas, etc. Its music is performed elegant and melodious. In 1954, Rauf Hajiyev, along with zurnachi Ali Kerimov wrote piano notes for such dances as Snbl and Yar. 
The collection includes 30 of the most popular dances. The activity of this ensemble was associated with the promotion of dance art both in the republic itself, in the USSR, and abroad. Dance No.3 and No.5, which have slow tempos and doleful melodies, are performed by women. Choban Regsi (from Persian: Choopan, lit. Alcha Gulu (Azerbaijani: Ala gulu meaning Plum Flower) is an Azerbaijani-Indian dance created between 1910 and 1920 in Shaki region by Ali Karimov who lived in Kalva village. Uzundere is traditionally used to be performed when the bride and bridegroom are on the road. 4 nmr. Varieties These dances were created for plays and performances. The dancers show a womans airs and graces as well as coquetry. Execution Lezginka (Azerbaijani: Lzgi) is a national dance of Lezghins popular among many people in the Caucasus Mountains. Halay (Azerbaijani: Yalli) propagates unanimity, unity and collectiveness. In this area middle-aged people are called Abayi and this kind of dance is generally performed by middle-aged men or women. Inclusion of dances and publication of the Azerbaijan State Conservatory in the 1930s became possible after the creation of the Council for Scientific Research of Music. Its name comes from music by the name of Asma-Kasma and they use this music when they escort the bride to the bridegrooms home and women dance in the opposite of the bride. It is performed at the first of the marriage. The subject matter of the dance is middle age. The first part of the dance is swift and represents a course in a circle. This dance is called mirzai. In the XIX century State Councilor Ivan Ivanovich Chopin described female dances in the following way: Tatars 1 dance usually in pairs, having in their hands castanets, which produce strokes, then fast, then slow; sometimes the sounds stop at all and the dancing people remain as if they are still; suddenly, with the accelerated rattling of the castes, with the convulsive movement of the whole body and, as if in a frenzy, they rush forward; but one step, and they again turn into quiet nymphs, who with light and graceful movements express languor and passionate bliss. The first edition of the collection comes out to dance tunes of Azerbaijan by 1937, which was prepared by Said Rustamov. Its arrangement of movements is fixed and it has a slow dancing tempo. For female dance the most characteristic is the 3-lobed size. At that moment, their very souls seem to be exhausted and fly out with damp looks, full of fervent pleasure. At first times, it was performed in form of traditional celebration of fire, which was source of heat, light, and warm food. Well-known singer, who knows the intricacies of folk music, Bulbul headed this research room. Development in Soviet times This dance is filled with the feelings of freedom and expansiveness. The process of the emergence and formation of folk dance art on the territory of Azerbaijan was long and centuries-old. According to the thematic content, Azerbaijani folk dances are diverse and are divided into labor (chobans shepherds), ceremonial (ritual, calendar, wedding), household ( mirzai , turaji ), heroic military (jengi combat ), sports ( zorkhan ), round-game ( yall , halai ) and others. There are many kinds of Yally in Azerbaijan. This is evidenced by the rock carvings depicted in Gobustan. This collection also included ancient dances. The development of womens dance is primarily due to the costume. Vagzali (Azerbaijani: Vazal) is played when the bride is seen off from her family house to the house of the bridegroom and her departure is reflected in this dance. In 1959, a girlish amateur dance ensemble Chinar (Azeri inar- Platan) was created in Azerbaijan under the leadership of Amina Dilbazi. This dance shows the gazelles gracefulness and elegance. Womens dances The second is lyric, that is, the dancer is frozen in one place (suzma), the dancers body at this time is strictly and proudly pulled up. War)) (martial music) calls all people to unity, friendship and invincibility. It is very popular in Shaki and Zaqatala in Azerbaijan and performed slowly. This ensemble performed with a diverse repertoire, consisting of ancient and modern folk dances. Asma Kasma (Azerbaijani: Asma Ksm meaning Hanging Cutting) is one of the oldest Azerbaijani dances which is current in marriage. Many dances, especially the old ones, are called the most beloved animals or plants: gazelle gazelle, lale field poppy, benevshe violet, Innabi is fruit of a fruit tree, etc. Those who are dancing extend their arms and go forward with their heads up. Dances are usually performed to the accompaniment of folk instruments: a trio of zurnachs (two zurns and one nagara), a trio of sazandari (tar, kamancha, def), etc. Sophisticated hand movements and spins create very cheerful atmosphere. The musical size of Azerbaijani dances is 6/8 and 3/4. By the nature and rhythm of the Azerbaijani folk dances are divided into a very smooth, smooth and lively. Both men and women perform it. These dances and to this day do not lose their relevance. Azerbaijani folk dances (Azeri. After the establishment in the republic of Soviet power in 1920, the folk dance was enriched with new content that reflected the spiritual world, ideology, and labor activity of the new man. Almost all Azerbaijani dances are solo. 5 nmr. 6 nmr.
The music is up-bit and energetic. The group of girls gathers together and collect flowers. Flowers are associated with how pretty the girls are in the colorful costumes. The music is up-bit and energetic. The Cabinet of Folk Music and Dance, begins to write a work plan for the dancers. It is the technique of the feet that determines the male dance. Asta Karabagi (Azerbaijani: Asta Qaraba meaning Slow Karabakhi) is an Azerbaijani dance with its origins from Karabakh. In 1951 Tofik Kuliev, Zakir Bagirov and Mammad Saleh published a collection entitled Azerbaijani Folk Dances. So, for example, the music of the songs Basti G. Huseynli and Surayya S. Rustamov were danced by the girls. Thus, the dancer easily stands on his fingers (as is done in the dance Kazakhs), quickly falls on his knee, etc. Banovsha (Azerbaijani: Bnv meaning Viola flower in Persian language) is performed with his feelings, showing how the violet grows from the ground, blooms and fades. It was created in 1910. Youth dances (together boys and girls) also gained popularity.
This one is performed by men. Uzundara (literally a long gauge) is a long dance performance. house of strength) is a mens dance which brightly symbolizes courage, bravery and youthful enthusiasm. Dance No.4 and No.6 have a slightly faster tempo and are performed by both women and men. Mens Dancing The third part is characterized by rhythm, emotional outburst. Ceyrani or Ceyran bala (Azerbaijani: ceyran meaning Gazelle, an Azeri given name for girls) is an old and delicate dance. Soon this collective became a professional folk ensemble. They form circles and triangles during the dance.
), masculine solemnly majestic ( Mirzai dance of wisdom, performed by the old people, and etc. Its velocity is slow. History Birilyant (Azerbaijani: Birilyant meaning Brilliant) is an Azerbaijani dance which has two different kinds.
The first dances were of a ritual character, since the early Middle Ages various kinds of dances have started to form in Azerbaijan, which, thanks to the treasure of the Azerbaijani people, have survived to the present day.
As a rule, the Azerbaijani dance is three-part: the first part is a circle, the dancer holds the body high and proud, the second the lyric congealing on the spot (suzme) and the third again the circling confident, impetuous and solemn.
There were such dances as dance of cotton growers, fruitful dance, dance of fishermen, space dance, etc. Anzali (Azerbaijani: nzli) is the melody of a dance which is almost created in the years 1880-1890 in Baku. It is performed by women and has a fast dancing tempo. Gangi (Azerbaijani: Cngi meaning related to war (from Persian: Dgang , lit. Zorkhana (Persian: Zurkhaneh, lit. The performers are characterized by a fast rhythm, and expression of bravery, strength and temperament. In origin the old people perform this dance. Nalbeki (Azerbaijani: Nlbki meaning saucer) is a dance performed only by women, during the dance saucers are used. This kind of dance used to be performed in group formerly, but later on changed to an individual dance. Writing notes for dances meaning No.3, No.4, No.5, No.6) are all dance melodies composed in the second half of the 1920s in Baku, capital city of Azerbaijan. At the start of the dance, two pairs, with their legs tucked under themselves, sit one against the other, at a fairly distant distance and, under the beat of the music, attach different positions to their camp, snapping fingers and in the hand; Together with this, all couples, without getting up, move forward and come together, so that their knees touch; here they give their body movements more passion and liveliness, and, showing the beauty of the camp dancing, then bending the head back, so that the loose hair touch the floor, then throwing it forward, hide their fiery glances under the thick veil of hair. The characteristic time signature of the dance melody (6/8) differs both in the variety and sharpness of the rhythmic figures (often the dotted rhythms, syncopation). Its a little exaggerating and funny and has a slow dancing tempo. Ay bari bakh (Azerbaijani: Ay bri bax meaning look at me) is one of the oldest dances that is performed only by women. Mirzayi (Azerbaijani: Mirzyi) is traditionally played at wedding parties and performed by men and women with handkerchiefs in their hands. These dances, especially No.5 and No.6, are still famous. At court rulers on the territory of Azerbaijan there were dance ensembles, which were famous for high skill of dancers. Widespread are collective dances yallas (festive round dance performed in the open air), jungi (martial male dance). They would like to show off and demonstrate to the public how pretty flowers look. Among the leading performers, then, are the Peoples Artist of the Azerbaijan SSR Amina Dilbazi and Rosa Jalilova, Alibaba Abdullaeva, B. Mamedov; Honored Artist of the Republic Tutu Gamidov, Aliya Ramazanov and others. Its velocity is slow and a little exaggerative and full of jumps. Azerbaijani folk dances have a very ancient history. Turajy dance is performed only by women. It is a very old and very custom dance in Azerbaijan. The smoothness of the legs was determined by the long skirt of the dancer, and all her attention was focused on the developed technique of hands and upper body (shoulders, head, facial expressions, etc.).